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* FIEND'S SUPERBEAR MARKET
REPORT *
* January 16,
2026 *
* *
* e-mail:
fiendbear@fiendbear.com
*
* web
address: http://www.fiendbear.com *
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Fiend Commentary
================
50K
Fever, $90 Silver, and a Very Cheap Price for Fear
Mid-January
has a familiar feel: the tape keeps levitating, and
every dip still looks like an invitation.
The Dow is
once again pressing toward the 50,000 milestone, and the more it hovers
nearby, the more “inevitable” it starts to sound. What’s different this time is
who is leading. The Nasdaq has been choppier, while smaller stocks
have surged—the kind of “broadening rally” that bulls love to see because
it suggests the advance isn’t just a handful of mega-caps doing the heavy
lifting.
But the real
headline isn’t the Dow. It’s the fact that we’re seeing record-setting
optimism and record-setting hedging at the same time.
Metals are
acting like a smoke alarm
Gold has
been holding above $4,600 and silver has been holding the $90 area
even after explosive moves earlier in the week. That is not normal “inflation
hedge” behavior. It’s the market quietly saying:
“We like risk assets… but we don’t trust the long-term stability of the
system.”
Silver’s
action has been particularly telling. When it rises this fast, it’s
rarely just about industrial demand or a tidy economic narrative. It’s usually
about psychology—momentum, crowding, and the sense
that the next policy response (whenever it comes) will be bigger than anyone
wants to admit.
The idea of $100
silver and $5,000 gold is no longer fringe talk. It’s starting to
feel like a timeline debate: second quarter… or sooner.
Rate cuts
feel “off the table” near-term—but that isn’t calming anyone
Here’s the
twist: rate cuts don’t look imminent right now.
Strong-enough
economic data (and firmer dollar bursts) have been enough to cool the “Fed will
rescue us next meeting” crowd. Markets are acting like the Fed can wait, at
least for the moment, and that any easing is more likely later rather than
immediately.
And yet gold
and silver are still screaming.
That
combination often shows up when investors believe the real choice ahead is
unpleasant:
Either way,
metals remain the insurance policy—while stocks remain the performance trade.
Complacency
is still the wild card
The VIX
has been hanging around the mid-teens, which is the market’s way of
saying “we don’t see trouble coming soon.” That’s how big surprises get born: not from panic, but from comfort.
When fear is
cheap, people buy less of it. They get more exposed. They use more leverage.
They stop imagining downside scenarios because the last few pullbacks have been
short and forgettable.
And that’s
where the “static in the air” feeling comes from: when everything looks
obvious, markets tend to punish that certainty.
What could actually shake things up
If something
big hits, it probably won’t arrive neatly. It will arrive as a sudden
mismatch—the kind of “wait, this wasn’t priced in” moment that makes
everyone grab the same exit at once.
Here are the
most realistic tripwires:
1.
Long yields creeping higher at the wrong time
If the long end rises while stocks are priced for calm, it tightens financial
conditions without the Fed doing anything.
2.
Inflation re-accelerating in the pipeline
A tame CPI followed by firmer producer pressures is how the “inflation is gone”
narrative gets chipped away.
3.
A silver air pocket
Even strong bull markets in silver tend to deliver violent shakeouts. A sharp
drop would not disprove the bull case—but it would remind everyone how quickly
leverage can flip from tailwind to trap.
4.
Geopolitics re-entering through the commodity door
Energy and supply-chain surprises don’t ask permission. They simply arrive—and
markets reprice afterward.
Bottom line
The market’s
message this week is: risk-on behavior is alive and well, and Dow 50,000
may be close enough to touch.
But the
metal market’s message is different: something about the longer-term outlook
is being questioned, loudly.
When stocks
and metals are both surging and volatility stays sleepy, that’s usually not the
end of a move—it’s the part of the movie where the
soundtrack gets quiet right before the next scene changes.
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